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View of Rhenen
Painting ID:: 89086
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Hercules Seghers
View of Rhenen
between 1625(1625) and 1630(1630)
Medium oil on oak
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Landscape with City on a River
Painting ID:: 89089
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Hercules Seghers
Landscape with City on a River
between 1627(1627) and 1629(1629)
Medium oil on oak
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View of Brussels from the North-East
Painting ID:: 91048
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Hercules Seghers
View of Brussels from the North-East
1625
Medium English: Oil on oak, 24,5 x 39 cm
Dimensions English: 24,5 x 39 cm
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Panoramic landscape
Painting ID:: 93249
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Hercules Seghers
Panoramic landscape
circa 1625 (1615-1635)
Medium oil on canvas mounted on panel
Dimensions 29.3 x 45.7 cm (11.5 x 18 in)
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Hercules Seghers
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1590-1638
Dutch
Hercules Seghers Gallery
Hercules Pieterszoon Seghers or Segers (c. 1589 ?C c. 1638) was a Dutch painter and printmaker of the Dutch Golden Age. Segers is in fact the more common form in contemporary documents, and was used by the painter himself (modern use is about equally divided between the two). He was "the most inspired, experimental and original landscapist" of his period and an even more innovative printmaker.
He was probably best known to his contemporaries for his paintings of landscapes and still-life subjects; his paintings are also rare, with perhaps only fifteen surviving (one was destroyed in a fire in October 2007 ). The Stadholder, Frederick Henry, Prince of Orange bought landscapes in 1632. Many of his painted landscapes are fantastic mountainous compositions, whereas in his prints it is often the technical approach rather than the subject which is extreme. His painted landscapes tend to show a wide horizontal view, with emphasis on earth rather than sky; two in the Gemäldegalerie, Berlin had strips of sky added at the top later in the century to meet a changed taste. Apart from Coninxloo, Seghers drew from the Flemish landscape tradition, perhaps especially Joos de Momper and Roelandt Savery, but also the "fantastic and visionary aspects of Mannerist" landscape painting. A 1680 inventory of Jan van der Capelle, who owned five paintings by Seghers, describes one as view of Brussels, which if correct would presumably mean Seghers travelled there, probably when young, when his style shows most Flemish influence (in so far as the chronology of his work is clear). |
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Related Artists::.
| Adriaen van de Venne | billy higgins | Helen Thomas Dranga | |
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